by Celia Rivenbark
After winning Southern women's hearts with her SEBA bestseller Bless Your Heart, Tramp in 2000, Rivenbark has penned a new-and equally sidesplitting-collection of essays, offering Northern and Southern sisters alike a woman's "take on those irksome little yuks in daily life." Although she warns certain readers (Yankees, namely) that they may need a Southern lexicon to decipher her folksy, down-home prose style, Rivenbark's focus on familiar topics like family, relationships and child rearing should appeal to most females, regardless of geography or age. Marked by a feisty, sarcastic tone and tempered with plenty of cries of "yoo hoo" and "Well, shit," even chapter titles (e.g., "Stop Watching Your Plasma TV and Start Selling Your Plasma: How to Become Honest-to-Jesus White Trash" and "Here Comes the Bride: Let's Just Get 'Em Hitched Sometime Before We See the Head") don't escape the author's wry humor. The most mundane situations become laugh-out-loud scenarios. When, for example, Rivenbark is confronted by the "Pre-School Nazis" and intimidating "granola moms" at her four-year-old's school, she admits asking her daughter to lie about what she had for breakfast (a foil-wrapped breakfast bar instead of the required "scrambled eggs, a bowl of real oatmeal-the kind you have to cook on top of the, uh, you know, stove-two slices of whole wheat toast and a glass of soy milk"). Rivenbark is a hoot, and her book will be best enjoyed while listening to the Allman Brothers Band and eating "a plate of, what else? collards and cornbread."
Copyright 2003 Reed Business Information, Inc.
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Friday, August 26, 2005
Friday, August 19, 2005
Thomas Jefferson : Author of America (Eminent Lives)
In this brief yet dense biography, the newest in HarperCollins's Eminent Lives series, Hitchens (A Long Short War, etc.) proposes that Jefferson "designed America" when he wrote the Declaration of Independence, establishing "the concept of human rights, for the first time in history, as the basis for a republic." Hitchens is quick to point out, however, the obvious contradiction-that Jefferson was both an advocate for freedom and a slaveholder. Beginning with his aristocratic upbringing, which Jefferson purportedly viewed with "indifference," this biography explores both the private and public aspects of Jefferson's life, from his political philosophies to his affair with his slave Sally Hemings. In an attempt to set the facts straight about Hemings, Hitchens explains that, while technically a slave, she was actually related to Jefferson's wife and was treated "more like a privileged housemaid." Presenting countless excerpts from Jefferson's writings, Hitchens closely analyzes the President's words to reveal the Enlightenment ideas that shaped American policy, such as the separation of church and state and the prohibition of cruel and unusual punishment. This opinionated, lively narrative sheds light not only on Jefferson's complex personality but on the politics of his time, making it both a fascinating character study and an excellent review of early American history.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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The Plot Against America: A Novel
"What if" scenarios are often suspect. They are sometimes thinly veiled tales of the gospel according to the author, taking on the claustrophobic air of a personal fantasia that can't be shared. Such is not the case with Philip Roth's tour de force, The Plot Against America. It is a credible, fully-realized picture of what could happen anywhere, at any time, if the right people and circumstances come together.
The Plot Against America explores a wholly imagined thesis and sees it through to the end: Charles A. Lindbergh defeats FDR for the Presidency in 1940. Lindbergh, the "Lone Eagle," captured the country's imagination by his solo Atlantic crossing in 1927 in the monoplane, Spirit of St. Louis, then had the country's sympathy upon the kidnapping and murder of his young son. He was a true American hero: brave, modest, handsome, a patriot. According to some reliable sources, he was also a rabid isolationist, Nazi sympathizer, and a crypto-fascist. It is these latter attributes of Lindbergh that inform the novel.
The story is framed in Roth's own family history: the family flat in Weequahic, the neighbors, his parents, Bess and Herman, his brother, Sandy and seven-year-old Philip. Jewishness is always the scrim through which Roth examines American contemporary culture. His detractors say that he sees persecution everywhere, that he is vigilant in "Keeping faith with the certainty of Jewish travail"; his less severe critics might cavil about his portrayal of Jewish mothers and his sexual obsession, but generally give him good marks, and his fans read every word he writes and heap honors upon him. This novel will engage and satisfy every camp.
"Fear presides over these memories, a perpetual fear. Of course, no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews." This is the opening paragraph of the book, which sets the stage and tone for all that follows. Fear is palpable throughout; fear of things both real and imagined. A central event of the novel is the relocation effort made through the Office of American Absorption, a government program whereby Jews would be placed, family by family, across the nation, thereby breaking up their neighborhoods--ghettos--and removing them from each other and from any kind of ethnic solidarity. The impact this edict has on Philip and all around him is horrific and life-changing. Throughout the novel, Roth interweaves historical names such as Walter Winchell, who tries to run against Lindbergh. The twist at the end is more than surprising--it is positively ingenious.
Roth has written a magnificent novel, arguably his best work in a long time. It is tempting to equate his scenario with current events, but resist, resist. Of course it is a cautionary tale, but, beyond that, it is a contribution to American letters by a man working at the top of his powers.
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The Plot Against America explores a wholly imagined thesis and sees it through to the end: Charles A. Lindbergh defeats FDR for the Presidency in 1940. Lindbergh, the "Lone Eagle," captured the country's imagination by his solo Atlantic crossing in 1927 in the monoplane, Spirit of St. Louis, then had the country's sympathy upon the kidnapping and murder of his young son. He was a true American hero: brave, modest, handsome, a patriot. According to some reliable sources, he was also a rabid isolationist, Nazi sympathizer, and a crypto-fascist. It is these latter attributes of Lindbergh that inform the novel.
The story is framed in Roth's own family history: the family flat in Weequahic, the neighbors, his parents, Bess and Herman, his brother, Sandy and seven-year-old Philip. Jewishness is always the scrim through which Roth examines American contemporary culture. His detractors say that he sees persecution everywhere, that he is vigilant in "Keeping faith with the certainty of Jewish travail"; his less severe critics might cavil about his portrayal of Jewish mothers and his sexual obsession, but generally give him good marks, and his fans read every word he writes and heap honors upon him. This novel will engage and satisfy every camp.
"Fear presides over these memories, a perpetual fear. Of course, no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews." This is the opening paragraph of the book, which sets the stage and tone for all that follows. Fear is palpable throughout; fear of things both real and imagined. A central event of the novel is the relocation effort made through the Office of American Absorption, a government program whereby Jews would be placed, family by family, across the nation, thereby breaking up their neighborhoods--ghettos--and removing them from each other and from any kind of ethnic solidarity. The impact this edict has on Philip and all around him is horrific and life-changing. Throughout the novel, Roth interweaves historical names such as Walter Winchell, who tries to run against Lindbergh. The twist at the end is more than surprising--it is positively ingenious.
Roth has written a magnificent novel, arguably his best work in a long time. It is tempting to equate his scenario with current events, but resist, resist. Of course it is a cautionary tale, but, beyond that, it is a contribution to American letters by a man working at the top of his powers.
Amazon.com
Sports, Jobs, and Taxes: The Economic Impact of Sports Teams and Stadiums
America is in the midst of a sports building boom. Professional sports teams are demanding and receiving fancy new playing facilities that are heavily subsidized by government. In many cases, the rationale given for these subsidies is that attracting or retaining a professional sports franchise--even a minor league baseball team or a major league pre-season training facility--more than pays for itself in increased tax revenues, local economic development, and job creation.
But are these claims true? To assess the case for subsidies, this book examines the economic impact of new stadiums and the presence of a sports franchise on the local economy. It first explores such general issues as the appropriate method for measuring economic benefits and costs, the source of the bargaining power of teams in obtaining subsidies from local government, the local politics of attracting and retaining teams, the relationship between sports and local employment, and the importance of stadium design in influencing the economic impact of a facility.
The second part of the book contains case studies of major league sports facilities in Baltimore, Chicago, Cincinnati, Cleveland, Indianapolis, San Francisco, and the Twin Cities, and of minor league stadiums and spring training facilities in baseball. The primary conclusions are: first, sports teams and facilities are not a source of local economic growth and employment; second, the magnitude of the net subsidy exceeds the financial benefit of a new stadium to a team; and, third, the most plausible reasons that cities are willing to subsidize sports teams are the intense popularity of sports among a substantial proportion of voters and businesses and the leverage that teams enjoy from the monopoly position of professional sports leagues.
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But are these claims true? To assess the case for subsidies, this book examines the economic impact of new stadiums and the presence of a sports franchise on the local economy. It first explores such general issues as the appropriate method for measuring economic benefits and costs, the source of the bargaining power of teams in obtaining subsidies from local government, the local politics of attracting and retaining teams, the relationship between sports and local employment, and the importance of stadium design in influencing the economic impact of a facility.
The second part of the book contains case studies of major league sports facilities in Baltimore, Chicago, Cincinnati, Cleveland, Indianapolis, San Francisco, and the Twin Cities, and of minor league stadiums and spring training facilities in baseball. The primary conclusions are: first, sports teams and facilities are not a source of local economic growth and employment; second, the magnitude of the net subsidy exceeds the financial benefit of a new stadium to a team; and, third, the most plausible reasons that cities are willing to subsidize sports teams are the intense popularity of sports among a substantial proportion of voters and businesses and the leverage that teams enjoy from the monopoly position of professional sports leagues.
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Hold My Gold : A White Girl's Guide to the Hip-Hop World
Every night there is a white girl crying herself to sleep somewhere in America, listening to Ludacris and wishing she could be part of that gold-rimmed, Cristal-soaked hip-hop dream. Hope has arrived in the wise counsel given in Hold My Gold: A White Girl's Guide to the Hip-Hop World. From "Da Basix: Vocab, Grammar, and Translation" to "How to Be a Video Ho or "Just look Like One," authors McCall and Rizzo deliver a comprehensive education in hip-hop history, language, accessories, social etiquette, and more. Loaded with spot-on satire and hilarious tongue-in-cheek advice, Hold My Gold is required reading for bling-deficient white girls looking to conquer their hip-hop illiteracy.
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